When it comes to icons of classic Hollywood, one of those that I just don't understand is Preston Sturgis. Among those who matter, he was a wonderful writer/director whose work was pure genius and this is probably the general tenor of reviews of his films here on IMDb. It's funny, because while I am a huge fan of screwball comedy from the 1930s and 40s, I just don't 'get' Sturgis. I've seen almost every film he's made, and with only a few exceptions (such as HAIL THE CONQUERING HERO and THE LADY EVE), I thought most of his films were pretty ordinary. All too often, his films, to me, seem to try too hard and lack subtlety or timing. Some prime examples are the laughing sequences as the chain gang members laugh to a Mickey Mouse cartoon as if they are all on LSD and Rex Harrison's bumbling with a chair and other household items in UNFAITHFULLY YOURS. These moments were just too over-the-top and lacked the charm and timing of such marvelous non-Sturgis screwball comedies like BRINGING UP BABY or MY GIRL Friday.While PALM BEACH STORY isn't a bad film, it certainly didn't do anything to turn me into a "Sturgiphile". It's a good movie, but has too many improbable and over-the-top moments to keep it consistent. Some examples would include the hunting club scene on the train. While generally this was a cute sequence, it went from mildly cute to just plain stupid--using slapstick when it actually detracted from the overall plot. Having these drunk hunters running amok shooting hundreds of shotgun blasts throughout the train car just wasn't funny--it was more like something Elmer Fudd would have done, not a real life person. Also, the film's ending is way, way, way too convenient and contrived--having identical twins of BOTH McCrea AND Colbert show up out of nowhere to marry the two jilted loves (Vallee and Astor)! This defies possibility and crosses over to just plain dumb.All this is a shame, really, as apart from a few embarrassingly bad scenes (indicating that the great Sturgis COULD have used an editor), the film is a breezy and cute romantic comedy. Some elements, such as the "Wienie King", were weird but somehow worked and the overall momentum of the film was good.My suggestion is that you SHOULD watch this overrated screwball comedy,...AFTER you've seen all of Cary Grant's first (they were so much better on practically every level).
1942 - A Love Story movie download in utorrent
It's one of the great Hollywood legends how George Raft helped make Humphrey Bogart a leading man by turning down in succession, High Sierra, The Maltese Falcon, and Casablanca. Maybe Raft showed some good sense in letting a better actor handle those roles. In any event we've got some proof in the case of Casablanca.Check out some time a film called Background to Danger that Warner Brothers did with George Raft that also featured Peter Lorre and Sydney Greenstreet. Had Raft ever done Casablanca the film would have been a routine action/adventure story just like Background to Danger. Instead with Bogey we get that, but also one of the great love stories of the century. Humphrey Bogart set the standard for playing expatriate American soldiers of fortune in Casablanca. Right now he's between wars running Rick's Cafe Americain in Casablanca in Morocco, an area controlled for the moment by the Vicky French government. He's got his fingers in a whole lot of pies, but Bogey operates with his own code of ethics. He sticks his neck out for nobody.Nobody except the great love of his life Ingrid Bergman who left him mysteriously in Paris as he was fleeing the oncoming German occupation. She walks back into his life with a husband, Paul Henreid who is a well known anti-fascist leader.The rest of the film is a contest for Bogey's soul. Torn between his great love, his own anti-fascist beliefs, and certain practical necessities of operating a liquor and gaming establishment in a hostile environment. So many things combine to make Casablanca the great film it is. Ingrid Bergman's lovely incandescence melding and melting Bogey's cynical screen persona. The indelible characterizations of Peter Lorre, Sydney Greenstreet, Claude Rains, Conrad Veidt and the whole rest of a 100% perfectly cast film. And the revival of a great ballad which serves as Casablanca's theme song.I say revival because As Time Goes By was introduced in 1931 in the George White Scandals on Broadway by Rudy Vallee. He made a record of it which sold quite a few disks back then. But by the merest of coincidences there was a strike that lasted two years that just began around the time Casablanca came out. The Musicians Union struck against the record companies. With no new records being made RCA Victor re-released Vallee's record and it became a monster hit on revival.Also when Casablanca came out as if the White House had a personal interest in the film FDR and Churchill had the first of their wartime conferences in----Casablanca of all places. Jack Warner must have said a prayer for that to happen.There are so many classic scenes and lines from Casablanca you can write a comment just by listing them. But my favorite has always been when the Germans have taken over Rick's place and are singing some of their songs, Paul Henreid goes to orchestra leader and asks him to lead La Marsellaise. With a nod from Bogey, the orchestra plays, Henreid leads them and the rest of the non-Germans in the cafe join in. Over 60 years later, one still gets a thrill from that act of defiance.Bogart and Rains were nominated for Best Actor and Best Supporting Actor. Any of the others could have been as well. As I said before Casablanca is perfectly cast right down to minor roles like Curt Bois as a pickpocket, John Qualen as a fellow resistance leader, and S.Z. Sakall as a waiter at Rick's. If there was an award for ensemble cast, Casablanca would have won it. As it was it did win for Best Picture of 1943 and best director for Michael Curtiz.Casablanca will be seen and loved by filmgoers for generations unto infinity, as time goes by.
Koirala's career prospects improved after starring in Vidhu Vinod Chopra's romance film 1942: A Love Story (1994), set during the Indian independence movement.[14] She played Rajjo, the daughter of a freedom fighter who falls in love with Naren (Anil Kapoor), the apolitical son of a British colonial employee.[15] Chopra dismissed Koirala as a "terrible actress" after her first screen test, but was impressed with her performance for a second audition and decided to cast her in place of Madhuri Dixit.[16] The film featured the protagonists sharing a deep kiss; it was certified U/A (Parental guidance required) by the Central Board of Film Certification, becoming the first Indian film to receive the rating.[17] Koirala's performance received positive reviews, with critics hailing her as "a sensitive performer".[14] The film proved to be a box office flop.[18] However, it fetched Koirala her first nomination for Best Actress at the annual Filmfare Awards ceremony.[19]
She went on to collaborate once again with the acclaimed director Mani Ratnam, and starred in his film Dil Se.. (1998) opposite Shah Rukh Khan. Her role received similarly good reviews and earned her several award nominations including the Filmfare Best Actress Award nomination. The film proved to be a hit overseas. The film became the first Indian film to enter the top 10 in the United Kingdom box office charts.[49] Even months after its release in September 1998, the film was still screened on five screens, five times per day with an average of 3,000 spectators across all screens in the Cineworld complex in Feltham, West London.[50] The film went on to win the Netpac Award at the Berlin International Film Festival, two National Film Awards, and six Filmfare Awards. The intense political agenda of the film with the trials of the Assamese on the India-China border, the love story and the fact that it coincided with the 50th Independence Anniversary celebrations became a major factor for its success overseas, particularly amongst the South Asian diaspora in the west. Dil Se.. was also hit in Japan. Also she played the leading role opposite to Govinda in the movie Maharaja.[51]
In 2002, she starred opposite Ajay Devgan in Ram Gopal Verma's Company. The film was a critical success and she won her third Filmfare Critics' Best Actress Award. In that same year, she appeared in Ek Chotisi Love Story. The film, when released, generated tremendous response at the box office, becoming one of the few successes of the year.[56] The movie's release was stayed as she accused the director of the film, Shashilal Nair, of using her body double to shoot some love scenes in the film, and portraying her in bad light by shooting positions using another actress in her place, without her approval.[57] A court finally decided to stay the release of the film.[58]
Koirala silently returned with a Kannada- Tamil, mystery film Game where she portrayed the main female lead. Her official Bollywood comeback was with the drama Dear Maya (2017). Directed by Sunaina Bhatnagar and co-starring Madiha Imam, her role was of a middle-aged lonely woman who embarks on a journey to find love when she receives love letters. The film received mixed reviews from critics with praise directed to Koirala's performance.[88] Sweta Kaushal of Hindustan Times said: "Manisha Koirala shines like a diamond in a coal mine."[89] Suhani Singh from India Today noted that she is the "star in this mawkish coming-of-age story", while Stutee Ghosh of The Quint wrote that "Manisha Koirala's grace makes it worth a watch."[90][91]
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